Understanding Guitar

One Beginners’ Efforts

I know I promised more scales related blog entries, but I thought of this and wanted to post it… I promise, those scale entries are coming.

Anyway, are you? Frustrated that is… I recently posted what I thought was a very good article on learning an instrument and frustration. You can view that here. I thought and still thing it is a great article.

But a thought occurred to me and I wanted to make sure i share it.

It is absolutely impossible to practice something over and over and not get better at it. So if you are finding that you can’t play something that you have been trying to play, take a break… wait 5 minutes, 1 hour, 1 day whatever you need to wait in order to re-relax.

Then try it again. Repeat as nessasary. You will learn it.

As I said in one of my later posts, I’ve taken a new direction - a new focus if you will. I’ve been following along with the book “Mel Bay’s Modern Guitar Method Grade 1,” playing the pieces and learning things in the order the book suggests.

Currently, I’m practicing on the the E note, F note and G note on the first string and the B note, C note, D note on the second string. I’m playing a few pieces from the book trying to practice my accuracy as well as my ability to read music (which, to me, is one key in this new quest).

As I was playing the first couple of songs (if I can call them that) from the book, I wasn’t sure if they were sounding like the should. I know that I was following the metronome properly, but I wasn’t sure if I was always hitting the right note at the right time. When you are first learning, so much is going on that it can be hard to ensure it sounds right… How can you tell [if sounds right] when the music is on paper?!

I remembered that I have a tabbing / music notation software called TuxGuitar (The team recently released version 1.0) which will actually play what I tab out. Now, at first, this might seem kind of stupid, but I swear it is working — it is helping.

The computer will always hit the right note at the right time. It is almost liking playing with another guitarist, but one that will never come out of time or make a mistake. Basically, like it is politely correcting you. Furthermore, as I’m playing along with the software I can listen to the notes that are played, and I instantly know via comparison if I’ve just played the correct note or not. When I play the wrong note, I can stop and figure out what the correct note is and work through the mistake.

Below are a couple of the songs that I’ve been playing in the TuxGuitar 1.0 format. You can give it a try.

Frolic - TuxGuitar 1.0 File

E - B - TuxGuitar 1.0 File

I can’t believe I missed this, but the TuxGuitar team has released the first whole version of their software. I’ve been using their software for a while but it has been listed as 0.9.1 as they’ve been completing the software.

TuxGuitar is a lot like Guitar Pro. You can tab out different songs or different tracks and it will play back the song that you’ve tabbed.

http://www.tuxguitar.com.ar/

Below are some screen shots that I quickly took [Click on them to view big versions]:

Give TuxGuitar a try… It’s Free!

I was reading PickStroke.com and on their side bar the author had listed “Guitar Cardio” might be a good place to visit if you need to work on your speed.”

And boy, is PickStroke right!

I think this site (GuitarCardio) is an amazing idea. Kudos to the author for authoring and hosting this.

The site basically will generate a number of scales for you to run though, it give you several options. I hope to use the site to practice scales while working on my new direction.

Give it a try: http://www.guitarcardio.com/

Screen Shot:

I was at a Sam Ash^ about 2 weeks ago, shopping around — just looking (at saxophones [the bug is gone]) and I came upon something that really interested me.

It was a small CD (Jewel) case which said “Learn to play this Hit Song!” It was in a display box with several titles named. I scanned through the titles and discovered that they labeled the level of skill required to play the given song…

So I scanned through looking for items marked at “Guitar_Level 1″ which is the lowest level. I ended up with only a handful of selections (like 2 or 3) and all but 1 was of no interest of me (as far as learning the song). That was “Smells like Teen Spirit” as performed by Nirvana.

I decided immediately to purchase it; I had to at least give it a try and it was only around $13.00.

You can find more information about this here: http://www.playitnowtunes.com^

My first impressions when I broke in to the CD and started to listening was positive. However, I don’t like their version of the song (Smells Like Teen Spirit) but that just probably has to do with the fact that I have always much preferred their acoustic or unplugged versions more then the electric (plugged?) versions.

I’ve only been working with it for two weeks. I don’t want to post a “this will work” or “this won’t work” opinion until I’ve spent more time with it; but I did want to let the world know that it was out there.

I’ve accidentally spent my entire evening reading up on beginning to learn to play the saxophone. Not that I want to stop learning guitar mind you. Saxophone would just be another way to learn the same trade; another tool to accomplish something similar, if you will.

Anyway, so I’ve been reading the following article:

http://www.mindworkshop.com/alchemy/saxophone.html

[It's worth reading if you are at all interesting in potentially learning to play a saxophone.]

I bring this up because towards the end of the article I came across information that was very, very (very!) worth sharing with any current or future readers of this site.

If you perform an identical motor action repeatedly - such as operating the keys of a saxophone - your brain will form neural pathways to make the action in question easier, quicker and more intuitive. Think of them as shortcuts between your brain and your fingers for frequently used tasks. As you practice, the neural pathways that will make playing your easier will develop and become more accessible.

To apply this to guitar, replace “operating the keys of a saxophone” with “fretting the guitar.” In my pursuit of learning guitar, I had already read this somewhere, however revisiting this as a reminder doesn’t hurt. For me, it helps me keep in mind that fretting a guitar will become easier…

I’ve been traveling for work as we are migrating projects to different offices. I don’t travel often, so it was interesting to me.

I was on the road on Friday, and then again Monday to Tuesday. All that time I’ve been away from the guitar. In a way, I felt that I needed a bit of a break from guitar. I had pushed myself and followed through on the exercises but some days I probably did more then I should have.

Over the weekend, during the time that I did have here at home I went to the Gym to get a little stress relieving weight-lifting in. I was flipping through a weight-training magazine between weight sets and either an article or advertisement reminded me that you should put a day between the days that you weight lift.  I’ve been doing weights training since high school, so this is not new information to me.

Perhaps we should look at this information in regards to learning guitar. The work that you do with you fretting hand is, in a way, similar to cardiovascular exercises. However, there are exceptions to this. Certain chords you learn, in particular barred chords, can be more like an intense weight lifting regimen. Keep in mind, that I’ve been “drilling” the Bm and F chords after reading the article in Acoustic Guitar magazine.

I felt that being on the road for those three days have given my hand the break that it needed in order to build up some muscle. I’m really not sure if this has any validity to it (in regards to learning guitar), but the theory seems sound.

I do need to give my hand a day or two to re-develop some of the dexterity that I had built up but hopefully barred chords will continue to get easier; they have been getting easier for the past couple of weeks.

IG’s latest post was about a study where a scientist found that if one practices something for 2 hours a day for 10 years (including weekends) then you’ll be very good at it.

If we apply this to guitar and if you start today, you should be a guitar superstar by 5/7/2018.

Of course (and I’m sorry) that just isn’t going to happen. A lot more goes in to becoming a superstar than just being a good guitarist. I feel that charisma plus the style of music you enjoy playing as well as many other things factor in to super stardom. However, I would not expect that to deter you from trying. If you don’t try, you will only regret it.

However, I’ve wondered off the point of this post. The question I have to the readers / contributors out there is what is your practice routine?

In my pursuit of learning guitar, I’ve come across many recommendations for practice routines.

Some of the recommendations that I’ve heard include things like “always practice for a set amount of time” and / or “at a specific time in the day”. The goal is to make the practice a routine in your day. And while I have tried to apply the idea, the reality of where my time can go is never cohesive to such a practice schedule… As a kid, that might be possible; however as an adult I do not believe it is.

For me my first goal is to make sure that I at least get some practice in each day. Even as little as 10 minutes before going to bed. (Such as yesterday, in which I spent most of my time trying to fix my wife’s New Dell laptop.)

Aside from the 10 minutes, if I have more time I include chord drills — Currently Bm with rhythm and strumming drills. I’ve not found the time to practice an actual song for a while. I need to find time to work on that.

So again, what is your practice routine? What do you spend time on and do you have any suggestions for the guitar-learning-public out there from your trials and tribulations?

I recently decided to subscribe to Acoustic Guitar magazine. And yesterday, I received my very first issue.

I was incredibility pleased with the issue as they had a wonderful article titled: “Tackling Difficult Chords.” I quickly read the article and I felt that it had some very wonderful tips on how to learn to imprint difficult barre chords in to your memory and fretting hand.

The article uses the F chord and the Bm chord as their example chords. Which is perfect because I’ve been working on the Bm chord. (I recently blogged about it.)

After I read the article I immediately began to apply what it had suggested. I worked with the F chord, the Bm chord and for good measure I threw in the (open) C chord. I’ve been having difficultly with that chord because it is awkward to my hand.

I drilled, and drilled the chords and have done the same thing since I read the article. That was about two days ago. It is probably too early to tell, but I do believe that it has improved my ability to play all three chords. As well as I want? Not quite yet, but it is a work in progress and I’m getting closer.

It is possible that the article just gave me the fuel to drill the chords again… I’m not sure. To any account, I loved the article and it would be worth a read to any one who is still working on memorizing barred chords.

What does the article suggest? I don’t want to give away too much (because I don’t want to plagiarize), but for those who might be interested…

The article starts out by telling you to fret the problem chord.  Play the chord arpeggiated - that is one string at a time. Play the chord twice (I suggest using alternate picking) once going down; from low E to high E then going up, from high E to the low E string.

Once you get to the low E string, release the strings but don’t remove your hand from the current position. Reapply pressure with your fretting hand with the same chord shape and do the arpeggiation again. Repeat until your hand can’t take it (actually, just repeat it a lot). You should pay special attention to whether the strings are ringing clearly or not. Don’t proceed until the strings all ring clearly - consistently.

The article then suggests you strum the chord, doing the same fretting hand pressure release as before. Repeat this a lot.

The article then suggests that you do a two-chord chord progression. One chord is the one you are learning, the other chord being a chord that you are very comfortable with. Repeat that progression. (yes, a lot.)

You may not get to this last step on your first or second day. I think that is fine. Take your time and be patient.

Buy the magazine and read the article. It has a lot more important information than what I’ve just given you.

You may also be able to read the article here: http://www.acousticguitar.com/article/default.aspx?articleid=22034

Yesterday, I was practicing playing guitar… and I don’t know why but for some reason I had the most fun practicing in a long time.

Don’t get me wrong, I do — most of the time — enjoy practicing guitar. That is the point after all… To relax!

However, lately practicing hasn’t been as fun as it use to be.  It is possible that I’m not focusing and moving myself forward enough. One must keep moving forward or (1) you will not learn anything new and (2) you bore yourself.

I’m at the boring-myself stage… Though there is probably a lot more I could have learned had I pushed a little harder.

I need to sit down and establish a practice routine for each day that I practice. I think Joe from “From The Woodshed” has done things similar to that… Though, he dedicates a lot more time for his practice…

What was I doing yesterday to have so much fun? Well, I started working through a book I bought called: 10 Minute Guitar Workout by David Mead. 

The book presents a technique for practicing where you practice certain things (chord changes, scales, etc) for 2 minutes each. There a total of 5 exercises for each day.  The goal is to complete x amount of sets within the two minutes. After so many days, you proceed to the next “sets” goal until eventually you proceed to the next set of exercises.

Now I just started with the book, so I can not say whether it is working or not. I can tell you that the tasks are a bit different from what I have been doing and it is (most importantly) a little more focused than what I’ve been doing… Which is why I think it was a bit more fun.

Additionally, the book came with a CD which I was playing with. I used the BestPractice software to slow the tracks down. This allowed me to play the exercises at different tempos with the CD, which allowed me to mix things up a bit.