Understanding Guitar

One Beginners’ Efforts

If you follow this site at all (you can easily follow it via RSS ), you’d know that I’ve been doing a series on Pentatonic Minor Scales and Improvisation.  While I was researching my posts on the topic, I came across another article.

http://www.cyberfret.com/improvisation/101/index.php

This article is also based on the A Pentatonic Minor scale. It is a great article and goes along with what I’ve been writing about. Check out their “Lick #1” and “Lick #2,” they are good examples of the quick improvisation you can do. They sound good and can fit in a variety of places in a song or chord progression.

Please let me know if you find this useful! Enjoy and thanks for reading!

As a follow up post to “Create your Own Custom, Unique, Unscripted Guitar Solo!“, I wanted to post the next box to learn — oh, yes — there are more boxes.  There are a total of five Pentatonic Minor scales (in the key of A). The post mentioned above introduced you to the first two - Box 1 and Box 2.

This post will introduce you to what is referred to as Box 3. The music below is Box 3 in A (Making this [also] A Pentatonic Minor). Keep in mind, for this previous series with the 3 boxes (so far) they have all been a A Pentatonic Minor scale, only on different positions on the neck of the Guitar.

A Pentatonic Minor - Box 3

You can download the TuxGuitar file here: TuxGuitar file - A Pentatonic Minor - Box 3

Remember to first memorize and practice the scale. Afterwards you can set yourself free with the scale; you can play around and improvise within the scale. Enjoy!

Bonus: Following is me practicing this scale with effects from my Pod v2. I’m posting it to illustrate how I sound when first learning a scale. I figure that it might make readers more comfortable with their practice to know that my material is full of mistakes also (it would for me). Note: The following is full of mistakes.

As I announced…

…a while back (see blog post), I decided to “start over” as it were. I felt that my practice wasn’t going anywhere and that I needed to reestablish my learning pattern. In my “re-effort” (is that a word?) I eventually stumbled upon (and blogged several times) about GuitarCardio.com.

This site eventually lead me to start researching scales and that presented the question “what was the most effective scale or group of scales to learn”. I eventually came upon something called “the box position.”

What I learned about the box position, to my surprise, is that it was not a set of scale patterns that one learns. It appears to be a description of playing within a single position. That single position doesn’t necessarily need to be the same pattern nor the same type of scale.

For example, the A Pentatonic Major scale in three different positions would be playing in the box position. Additionally, so would playing the A Pentatonic Major scale in 5th position and then the A Pentatonic Minor scale in 5th position.

The Box Position

I spent time researching and trying to understand what exactly is meant by “The Box Position” (a.k.a “The Box Pattern”). My conclusions is rather simple and straight forward.

There is not a fixed set of scales that make up the box pattern; every source or book can (and will) have their own method and scales. Take, for example, the link I’ve provided before on this topic previously: http://www.myguitarsolo.com/sc_box.htm

Their method of presenting the box position includes learning six scales in a specific order (I’m not yet sure if there is significance to the order); while another source, a book this time, shows the box pattern in all Pentatonic scales in different positions on the neck.

Both seem valid, and I have no reason to believe otherwise. That plus in all my research, I’ve not found consistent presentations of the box pattern. This lead me to the conclusion that there is no fix set of scales to make up the box pattern.

The Box Position using The Pentatonic Scale

I was in a bookstore looking to pick up a reference book on guitar scales. I stumbled upon a book titled “Practical Pentatonics” by Askold Buk. It is a small 44 page book about how flexible the Pentatonic scales can be and what can be done if applied, umm, creatively.

Now, obviously, due to copyright laws ( ) I can’t give away or post any of the examples they have in the book. That isn’t the point of the post, anyway. I want to share, in my own words, what I’ve learned and discovered from this book. Of course, if you become interested in this topic, I’d encourage you to purchase this book or a book like it (though, I’ve not found others like it).

Examples

Below are some basic examples. First, I’m going to start out with a basic Pentatonic Minor Scale in the key of A. [If you can not see the rest of the post, please view the post on UnderstandingGuitar.org. Most RSS readers will not display the following content properly.]

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