Understanding Guitar

One Beginners’ Efforts

As a follow up post to “Create your Own Custom, Unique, Unscripted Guitar Solo!“, I wanted to post the next box to learn — oh, yes — there are more boxes.  There are a total of five Pentatonic Minor scales (in the key of A). The post mentioned above introduced you to the first two – Box 1 and Box 2.

This post will introduce you to what is referred to as Box 3. The music below is Box 3 in A (Making this [also] A Pentatonic Minor). Keep in mind, for this previous series with the 3 boxes (so far) they have all been a A Pentatonic Minor scale, only on different positions on the neck of the Guitar.

A Pentatonic Minor - Box 3

You can download the TuxGuitar file here: TuxGuitar file – A Pentatonic Minor – Box 3

Remember to first memorize and practice the scale. Afterwards you can set yourself free with the scale; you can play around and improvise within the scale. Enjoy!

Bonus: Following is me practicing this scale with effects from my Pod v2. I’m posting it to illustrate how I sound when first learning a scale. I figure that it might make readers more comfortable with their practice to know that my material is full of mistakes also (it would for me). Note: The following is full of mistakes.

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As I announced…

…a while back (see blog post), I decided to “start over” as it were. I felt that my practice wasn’t going anywhere and that I needed to reestablish my learning pattern. In my “re-effort” (is that a word?) I eventually stumbled upon (and blogged several times) about GuitarCardio.com.

This site eventually lead me to start researching scales and that presented the question “what was the most effective scale or group of scales to learn”. I eventually came upon something called “the box position.”

What I learned about the box position, to my surprise, is that it was not a set of scale patterns that one learns. It appears to be a description of playing within a single position. That single position doesn’t necessarily need to be the same pattern nor the same type of scale.

For example, the A Pentatonic Major scale in three different positions would be playing in the box position. Additionally, so would playing the A Pentatonic Major scale in 5th position and then the A Pentatonic Minor scale in 5th position.

The Box Position

I spent time researching and trying to understand what exactly is meant by “The Box Position” (a.k.a “The Box Pattern”). My conclusions is rather simple and straight forward.

There is not a fixed set of scales that make up the box pattern; every source or book can (and will) have their own method and scales. Take, for example, the link I’ve provided before on this topic previously: http://www.myguitarsolo.com/sc_box.htm

Their method of presenting the box position includes learning six scales in a specific order (I’m not yet sure if there is significance to the order); while another source, a book this time, shows the box pattern in all Pentatonic scales in different positions on the neck.

Both seem valid, and I have no reason to believe otherwise. That plus in all my research, I’ve not found consistent presentations of the box pattern. This lead me to the conclusion that there is no fix set of scales to make up the box pattern.

The Box Position using The Pentatonic Scale

I was in a bookstore looking to pick up a reference book on guitar scales. I stumbled upon a book titled “Practical Pentatonics” by Askold Buk. It is a small 44 page book about how flexible the Pentatonic scales can be and what can be done if applied, umm, creatively.

Now, obviously, due to copyright laws ( ) I can’t give away or post any of the examples they have in the book. That isn’t the point of the post, anyway. I want to share, in my own words, what I’ve learned and discovered from this book. Of course, if you become interested in this topic, I’d encourage you to purchase this book or a book like it (though, I’ve not found others like it).

Examples

Below are some basic examples. First, I’m going to start out with a basic Pentatonic Minor Scale in the key of A. [If you can not see the rest of the post, please view the post on UnderstandingGuitar.org. Most RSS readers will not display the following content properly.]

Read the rest of this entry »

During my time with a guitar, I’ve occasionally (who am I kidding, more then occasionally) ran in to music or practice pieces that have frustrated the living heck out of me.

I really not kidding, there are times where I just about threw my guitar because I just couldn’t take it. (Luckily, I never actually did that; but I have felt like it before.)

While you are learning something new, especially something as complicated as learning to play a musical instrument, you can will become frustrated. It is just a matter of time.

I stumbled upon this great blog post about frustrations, specifically aimed at learning to play guitar. I liked the article and I think it is very worth while to read (regardless whether your instrument guitar).

http://blog.littlerockjams.com/2008/01/21/everyone-that-has-been-frustrated-during-guitar-practice-raise-your-hand.aspx

And the following YouTube video was mentioned in the article above. I thought that the video was funny…

As some might know, I’ve been slowly working on a song for my wife. It is something I’ve always wanted to do and so I decided to start sooner rather than later. Some might say I’m rushing things, but it helps me learn, so what the heck!

With that said, I’ve written the first chord progression for the song. I figure I’m going to keep building on it and modifying it until I feel it sounds good.

I made three recordings, and I will be honest — each of the recording contains mistakes in one way or another. Originally I was only going to post one of them, but I thought “why not post all of them.”  I’ll just put myself out there.  I’m not really sure which one is the best or closest to what I want but If I had to guess I’d say recording two or three…

Recording 1:

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Recording 2:

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Recording 3:

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Yep, Still around. Got back from Atlanta just fine. I’ve just been busy with things.

Anyway, I have a post. I’ve been trying to study Pink Floyd’s Comfortably Numb. The song is in the key of Bm (from what I understand, I’m still not sure what that actually means) and because it is in Bm, the first chord is the Bm chord (Again, this is just what I’ve been told).

If you are unfamiliar with the chord, it is one of though dreaded barred chords. And it has literally been hurting my hand every time I try to play (usually it takes 15 to 20 minutes before notice). Below is a Chord Chart I threw together in case you are unfamiliar with the chord.

I still have a lot of trouble forming the chord quickly. (This is basically the first time I had a reason to play it so much. Needless to say, I should have practiced it more than I did…. But that is another post). In addition to having trouble forming the chord, it doesn’t always come out cleanly. I’d like to improve both aspects of this and I’ve been attempting to do that by following the advice I’ve been given on my previous post: “Call for Public Opinion – Mistakes”

I am trying to take it slow and I’m trying to get used to it. I’ve come to the conclusion that part of the problem that I’m having with the chord is not one that I can correct right away. I believe that the strength of my hand simply needs to be built up. Over time, after playing this chord (and other barred chords) it will become easier and will overall take less effort. I just need to be patient.

If any experienced players have advice for novice players on chords like this, please share. As I’m sure you remember from your early years, barred chords are a real pain for beginners.

Update: [5/1/2008]: Acoustic Guitar Magazine published a great article on playing difficult chords — it specificity includes the Bm chord! Check it out!

My wife and I were watching VH1’s “100 Greatest songs of the 90s” on Christmas Day (don’t ask why, were are boring people) and during a few of the many hours of watching the show they are interviewing MC Hammer, and eventually my wife makes a comment: “MC Hammer is taking himself way to seriously.”She was right; his demeanor was very “I’m so great” (my wife’s and my opinion) and in between the interviews, they are cutting away to his one single (that I know of) “U Can’t Touch this” and he is dancing around in huge-way-to-baggy pants. Additionally, during the interview he was wearing a vary nice suit and sunglasses-very business-like. It was very humorous.

Sometime later, they also had Vanilla Ice. Though, I’m sure many people doesn’t necessarily wants to admit it (and to tell you the truth, I’m not sure why) everyone enjoyed at least one song of his, if not more. (probably more!)

Anyway, Vanilla Ice was very cool and relaxed during the interview. He didn’t act high and mighty. He was dressed as I would expect for a person of his occupation (yes, he is still a writer/rapper). He seemed to enjoy the reminiscing.

I felt that both Vanilla Ice and MC Hammer got in to and out of the spot light in very short times. MC Hammer, quicker than Vanilla Ice, and yet it seems that MC Hammer took his “success” a bit more seriously during that show then he should have. (Perhaps that is just how the interview was cut…)

Anyway, today I was thinking that this probably applies to how you practice guitar. You probably shouldn’t take yourself too seriously. You should definitively correct mistakes and what not (see post: “Call for Public Opinion – Mistakes“), but you are still learning! You have to expect to make mistakes. If you don’t make mistakes you can’t improve!

I think that if you take yourself too seriously, the increased pressure that you are putting on to yourself will only hinder your efforts at learning; this will only frustrate you during your efforts (leading you to eventually give up on it)

In practicing guitar, I find that I will usually start over immediately upon screwing up what I’m playing. For example, if I’m playing a scale and I completely miss a string with my pick hand, I will start the scale from the top again and keep going from there (looping as many times as possible until I get tired or screw it up again. 99.99% of the time, I screw it up again.The public opinion that I need is whether this is a good practice to have (pun intended).

Should I stop the scale, or song or what ever and start it from the top again or should I push through and try to “correct on the fly?”

What do you think? Leave a comment with your opinion! I really want to know what different guitarist do. Oh, and it will probably help if you include your skill level.

Aside from getting this blog up and running, my all of my guitar practice sessions have included rhythm practice. After about 5 weeks in to playing, I had realized that I hadn’t been practicing rhythm guitar at all! To no fault of my instructor – He was giving me plenty of chord progressions to practice rhythm, however I ended up focusing on chord forms and ignoring the rhythm aspect of my practice.

As a result, I ended up with very little ability to keep time or rhythm. My pace was set by how fast I could change to specific chords; this is not a good method to practice guitar or music in general.

An Exercise

Here is an example of a simple “chord move” exercise which I’ve been using to practice rhythm [I do this exercise with various chords -- please feel free to use chord you are familiar with but do not forget to "push" yourself a little and try new chords]. This exercise is pretty straight forward.

I feel that it is extremely important to play this against a metronome. I feel that this is the best way to ensure that your timing is consistent and even.

I suggest that you start out slowly. There is no need to rush this at all. Get the feel for the chord change and please keep in mind that part of this exercise is to change to the next chord smoothly and without dropping a beat or rushing a beat (strumming before you are suppose to). Then gradually increase your metronome (perhaps in increments of 10 beats?)

Thus far, I’ve been able to successfully (within correct time, no beats missed, or chord-form mistakes) play through this particular exercise at a 80 BPM — I had started at 40 BPM a day ago.

Also, experiment with different chords – perhaps a couple of new chords that you picked up from a book or your instructor.

As always, I hope that this is a useful piece of information that benefits you in some way. Please feel free to leave comments, suggestions, questions, etc!