Understanding Guitar

One Beginners’ Efforts

My wife and I got back from vacation last weekend.  We had gone to Mexico for 8 days and for the entire 8 days I didn’t touch a guitar. I had a surprising desire to play and fiddle on a guitar. Ultimately, I did make it the entire eight days without going though guitar withdrawal.

Now that the vacation is over, I’ve been trying to get back in to the groove of daily guitar practice. Even though while I was on vacation I wanted to play guitar, it has been a challenge to go back to my guitar routine (not to mention my work and general-life routine).

I started by re-practicing most of my “harder” material. I only had to go back a few pages in my book. I started with a slower tempo and was able to play though the Ode To Joy without a problem. The Ode To Joy was a milestone marker for me. I quickly worked the tempo back to what I was playing it at — 95 BPM.

After Ode To Joy, I picked up where I left off. I progressed further and I’m now in to playing the High E, B, G and D strings while sight reading whole, half, quarter and eighth notes. That is amazing progress for myself. A few weeks ago I had huge trouble with just the High E and B strings (while sight reading)… I was always fumbling either my fretting or picking hand and screwing something up.

I am also suppose to memorize the following pattern as it is suppose to help with finding chords and other musically important information.

A C E G B D F

In upcoming posts, I’m hoping to be able to explain why memorizing this pattern is useful. From what I understand right now, it has to do with chord theory. Keep an eye out for more in this.

I noticed in the history of search terms that some one attempted to search for “barre chords straining fretting hand” on this site.

If you are straining you fretting hand while playing a barred chord (in my experience) your hand is probably not positioned correctly.

All of your fingers, from the finger doing the barre to the fingers doing the standard-single notes, should be just above the fret wire. (Above is relative to the guitar being stood up.) If you position your hand like this, you will need some pressure to hold down all the strings but not too much.

Experiment with a different amount of pressure. You should then be able to figure out how much pressure you actually need to produce a clean strum [using as little pressure as possible].

Do a google search and you’ll find plently of articles discussing this topic with a similar solution. (So this just isn’t my thing.)

I’ve accidentally spent my entire evening reading up on beginning to learn to play the saxophone. Not that I want to stop learning guitar mind you. Saxophone would just be another way to learn the same trade; another tool to accomplish something similar, if you will.

Anyway, so I’ve been reading the following article:

http://www.mindworkshop.com/alchemy/saxophone.html

[It's worth reading if you are at all interesting in potentially learning to play a saxophone.]

I bring this up because towards the end of the article I came across information that was very, very (very!) worth sharing with any current or future readers of this site.

If you perform an identical motor action repeatedly – such as operating the keys of a saxophone – your brain will form neural pathways to make the action in question easier, quicker and more intuitive. Think of them as shortcuts between your brain and your fingers for frequently used tasks. As you practice, the neural pathways that will make playing your easier will develop and become more accessible.

To apply this to guitar, replace “operating the keys of a saxophone” with “fretting the guitar.” In my pursuit of learning guitar, I had already read this somewhere, however revisiting this as a reminder doesn’t hurt. For me, it helps me keep in mind that fretting a guitar will become easier…

I’ve been traveling for work as we are migrating projects to different offices. I don’t travel often, so it was interesting to me.

I was on the road on Friday, and then again Monday to Tuesday. All that time I’ve been away from the guitar. In a way, I felt that I needed a bit of a break from guitar. I had pushed myself and followed through on the exercises but some days I probably did more then I should have.

Over the weekend, during the time that I did have here at home I went to the Gym to get a little stress relieving weight-lifting in. I was flipping through a weight-training magazine between weight sets and either an article or advertisement reminded me that you should put a day between the days that you weight lift.  I’ve been doing weights training since high school, so this is not new information to me.

Perhaps we should look at this information in regards to learning guitar. The work that you do with you fretting hand is, in a way, similar to cardiovascular exercises. However, there are exceptions to this. Certain chords you learn, in particular barred chords, can be more like an intense weight lifting regimen. Keep in mind, that I’ve been “drilling” the Bm and F chords after reading the article in Acoustic Guitar magazine.

I felt that being on the road for those three days have given my hand the break that it needed in order to build up some muscle. I’m really not sure if this has any validity to it (in regards to learning guitar), but the theory seems sound.

I do need to give my hand a day or two to re-develop some of the dexterity that I had built up but hopefully barred chords will continue to get easier; they have been getting easier for the past couple of weeks.

I recently decided to subscribe to Acoustic Guitar magazine. And yesterday, I received my very first issue.

I was incredibility pleased with the issue as they had a wonderful article titled: “Tackling Difficult Chords.” I quickly read the article and I felt that it had some very wonderful tips on how to learn to imprint difficult barre chords in to your memory and fretting hand.

The article uses the F chord and the Bm chord as their example chords. Which is perfect because I’ve been working on the Bm chord. (I recently blogged about it.)

After I read the article I immediately began to apply what it had suggested. I worked with the F chord, the Bm chord and for good measure I threw in the (open) C chord. I’ve been having difficultly with that chord because it is awkward to my hand.

I drilled, and drilled the chords and have done the same thing since I read the article. That was about two days ago. It is probably too early to tell, but I do believe that it has improved my ability to play all three chords. As well as I want? Not quite yet, but it is a work in progress and I’m getting closer.

It is possible that the article just gave me the fuel to drill the chords again… I’m not sure. To any account, I loved the article and it would be worth a read to any one who is still working on memorizing barred chords.

What does the article suggest? I don’t want to give away too much (because I don’t want to plagiarize), but for those who might be interested…

The article starts out by telling you to fret the problem chord.  Play the chord arpeggiated – that is one string at a time. Play the chord twice (I suggest using alternate picking) once going down; from low E to high E then going up, from high E to the low E string.

Once you get to the low E string, release the strings but don’t remove your hand from the current position. Reapply pressure with your fretting hand with the same chord shape and do the arpeggiation again. Repeat until your hand can’t take it (actually, just repeat it a lot). You should pay special attention to whether the strings are ringing clearly or not. Don’t proceed until the strings all ring clearly – consistently.

The article then suggests you strum the chord, doing the same fretting hand pressure release as before. Repeat this a lot.

The article then suggests that you do a two-chord chord progression. One chord is the one you are learning, the other chord being a chord that you are very comfortable with. Repeat that progression. (yes, a lot.)

You may not get to this last step on your first or second day. I think that is fine. Take your time and be patient.

Buy the magazine and read the article. It has a lot more important information than what I’ve just given you.

You may also be able to read the article here: http://www.acousticguitar.com/article/default.aspx?articleid=22034

Play this for two minutes (not 99 as the music says), it will exercise your fretting hand and your picking hand much. (Click Image for a larger Rendering).

After you try this, please post a comment on what you think. Was it hard? Was it easy? Does your hand hurt too much to leave a comment?