Understanding Guitar

One Beginners’ Efforts

Fretboard - "Scales"

If you follow this site at all (you can easily follow it via RSS ), you’d know that I’ve been doing a series on Pentatonic Minor Scales and Improvisation.  While I was researching my posts on the topic, I came across another article.

http://www.cyberfret.com/improvisation/101/index.php

This article is also based on the A Pentatonic Minor scale. It is a great article and goes along with what I’ve been writing about. Check out their “Lick #1” and “Lick #2,” they are good examples of the quick improvisation you can do. They sound good and can fit in a variety of places in a song or chord progression.

Please let me know if you find this useful! Enjoy and thanks for reading!

As a follow up post to “Create your Own Custom, Unique, Unscripted Guitar Solo!“, I wanted to post the next box to learn — oh, yes — there are more boxes.  There are a total of five Pentatonic Minor scales (in the key of A). The post mentioned above introduced you to the first two - Box 1 and Box 2.

This post will introduce you to what is referred to as Box 3. The music below is Box 3 in A (Making this [also] A Pentatonic Minor). Keep in mind, for this previous series with the 3 boxes (so far) they have all been a A Pentatonic Minor scale, only on different positions on the neck of the Guitar.

A Pentatonic Minor - Box 3

You can download the TuxGuitar file here: TuxGuitar file - A Pentatonic Minor - Box 3

Remember to first memorize and practice the scale. Afterwards you can set yourself free with the scale; you can play around and improvise within the scale. Enjoy!

Bonus: Following is me practicing this scale with effects from my Pod v2. I’m posting it to illustrate how I sound when first learning a scale. I figure that it might make readers more comfortable with their practice to know that my material is full of mistakes also (it would for me). Note: The following is full of mistakes.

As I announced…

…a while back (see blog post), I decided to “start over” as it were. I felt that my practice wasn’t going anywhere and that I needed to reestablish my learning pattern. In my “re-effort” (is that a word?) I eventually stumbled upon (and blogged several times) about GuitarCardio.com.

This site eventually lead me to start researching scales and that presented the question “what was the most effective scale or group of scales to learn”. I eventually came upon something called “the box position.”

What I learned about the box position, to my surprise, is that it was not a set of scale patterns that one learns. It appears to be a description of playing within a single position. That single position doesn’t necessarily need to be the same pattern nor the same type of scale.

For example, the A Pentatonic Major scale in three different positions would be playing in the box position. Additionally, so would playing the A Pentatonic Major scale in 5th position and then the A Pentatonic Minor scale in 5th position.

The Box Position

I spent time researching and trying to understand what exactly is meant by “The Box Position” (a.k.a “The Box Pattern”). My conclusions is rather simple and straight forward.

There is not a fixed set of scales that make up the box pattern; every source or book can (and will) have their own method and scales. Take, for example, the link I’ve provided before on this topic previously: http://www.myguitarsolo.com/sc_box.htm

Their method of presenting the box position includes learning six scales in a specific order (I’m not yet sure if there is significance to the order); while another source, a book this time, shows the box pattern in all Pentatonic scales in different positions on the neck.

Both seem valid, and I have no reason to believe otherwise. That plus in all my research, I’ve not found consistent presentations of the box pattern. This lead me to the conclusion that there is no fix set of scales to make up the box pattern.

The Box Position using The Pentatonic Scale

I was in a bookstore looking to pick up a reference book on guitar scales. I stumbled upon a book titled “Practical Pentatonics” by Askold Buk. It is a small 44 page book about how flexible the Pentatonic scales can be and what can be done if applied, umm, creatively.

Now, obviously, due to copyright laws ( ) I can’t give away or post any of the examples they have in the book. That isn’t the point of the post, anyway. I want to share, in my own words, what I’ve learned and discovered from this book. Of course, if you become interested in this topic, I’d encourage you to purchase this book or a book like it (though, I’ve not found others like it).

Examples

Below are some basic examples. First, I’m going to start out with a basic Pentatonic Minor Scale in the key of A. [If you can not see the rest of the post, please view the post on UnderstandingGuitar.org. Most RSS readers will not display the following content properly.]

Read the rest of this entry »

I noticed in the history of search terms that some one attempted to search for “barre chords straining fretting hand” on this site.

If you are straining you fretting hand while playing a barred chord (in my experience) your hand is probably not positioned correctly.

All of your fingers, from the finger doing the barre to the fingers doing the standard-single notes, should be just above the fret wire. (Above is relative to the guitar being stood up.) If you position your hand like this, you will need some pressure to hold down all the strings but not too much.

Experiment with a different amount of pressure. You should then be able to figure out how much pressure you actually need to produce a clean strum [using as little pressure as possible].

Do a google search and you’ll find plently of articles discussing this topic with a similar solution. (So this just isn’t my thing.)

I know I promised more scales related blog entries, but I thought of this and wanted to post it… I promise, those scale entries are coming.

Anyway, are you? Frustrated that is… I recently posted what I thought was a very good article on learning an instrument and frustration. You can view that here. I thought and still thing it is a great article.

But a thought occurred to me and I wanted to make sure i share it.

It is absolutely impossible to practice something over and over and not get better at it. So if you are finding that you can’t play something that you have been trying to play, take a break… wait 5 minutes, 1 hour, 1 day whatever you need to wait in order to re-relax.

Then try it again. Repeat as nessasary. You will learn it.

I was about to start working on some random scales on GuitarCardio.com, when something that Kenski wrote as a comment a while back. A new comment on that page reminded me about it.

Kenski wrote “As a starting point I would advocate learning the box position for major scale“. I had started looking in to the Box Position, but I never really understood what it was. I looked and looked and never came to any conclusion. I did find a bunch of good material, but I never really understood it…

And I still don’t.  I found this: http://www.myguitarsolo.com/sc_box.htm

And while I understand what it is saying — run through the 6 scales on the same key — it doesn’t completely make sense. The scale patterns don’t match other sources.

Consider my other Google Result: http://www.robinmay.co.uk/index/independent_pages/view_independent_pages/10/

Is there no rule to this? If not, then why is this worth learning? If there is some form of rules, are they loose rules?

Any guidance would be appricated.

During my time with a guitar, I’ve occasionally (who am I kidding, more then occasionally) ran in to music or practice pieces that have frustrated the living heck out of me.

I really not kidding, there are times where I just about threw my guitar because I just couldn’t take it. (Luckily, I never actually did that; but I have felt like it before.)

While you are learning something new, especially something as complicated as learning to play a musical instrument, you can will become frustrated. It is just a matter of time.

I stumbled upon this great blog post about frustrations, specifically aimed at learning to play guitar. I liked the article and I think it is very worth while to read (regardless whether your instrument guitar).

http://blog.littlerockjams.com/2008/01/21/everyone-that-has-been-frustrated-during-guitar-practice-raise-your-hand.aspx

And the following YouTube video was mentioned in the article above. I thought that the video was funny…

I ran through some scales on GuitarCardio.com this morning. I thought that I’d post the TuxGuitar files that I created while running through the scales.

The reason that I’m making the files for these (mostly) is timing. I need to improve my ability to play in time and for some reason, on scales I’m terrible at this. Though, just drilling these scales this morning, I think, have helped a lot.

Hopefully you can find these useful.

F Pentatonic Major (String-6)

C#/Db Pentatonic Minor (String-6)

C#/Db Pentatonic Major (String-6)

A#/Bb Pentatonic Major (6-String) (2 pluck)

As I said in one of my later posts, I’ve taken a new direction - a new focus if you will. I’ve been following along with the book “Mel Bay’s Modern Guitar Method Grade 1,” playing the pieces and learning things in the order the book suggests.

Currently, I’m practicing on the the E note, F note and G note on the first string and the B note, C note, D note on the second string. I’m playing a few pieces from the book trying to practice my accuracy as well as my ability to read music (which, to me, is one key in this new quest).

As I was playing the first couple of songs (if I can call them that) from the book, I wasn’t sure if they were sounding like the should. I know that I was following the metronome properly, but I wasn’t sure if I was always hitting the right note at the right time. When you are first learning, so much is going on that it can be hard to ensure it sounds right… How can you tell [if sounds right] when the music is on paper?!

I remembered that I have a tabbing / music notation software called TuxGuitar (The team recently released version 1.0) which will actually play what I tab out. Now, at first, this might seem kind of stupid, but I swear it is working — it is helping.

The computer will always hit the right note at the right time. It is almost liking playing with another guitarist, but one that will never come out of time or make a mistake. Basically, like it is politely correcting you. Furthermore, as I’m playing along with the software I can listen to the notes that are played, and I instantly know via comparison if I’ve just played the correct note or not. When I play the wrong note, I can stop and figure out what the correct note is and work through the mistake.

Below are a couple of the songs that I’ve been playing in the TuxGuitar 1.0 format. You can give it a try.

Frolic - TuxGuitar 1.0 File

E - B - TuxGuitar 1.0 File

I was reading PickStroke.com and on their side bar the author had listed “Guitar Cardio” might be a good place to visit if you need to work on your speed.”

And boy, is PickStroke right!

I think this site (GuitarCardio) is an amazing idea. Kudos to the author for authoring and hosting this.

The site basically will generate a number of scales for you to run though, it give you several options. I hope to use the site to practice scales while working on my new direction.

Give it a try: http://www.guitarcardio.com/

Screen Shot: