Understanding Guitar

One Beginners’ Efforts

IG of IG Blog pointed out that (at the time of his writing) “five guitar lesson podcasts are included in the current list of top 20 podcasts.” While this is interesting information unto itself, it does point out that iTunes and podcasts are quickly becoming a worthwhile resource to consult when looking for Learn-Guitar material.

For those of you who may not be familiar with the concept of a podcast, it is similar to a radio segment but it is pre-recorded and distributed through the internet. Some people (including myself) also consider them a type of “recorded blog.” In case you are not familiar with the concept of a blog, you are reading one.

If you have iTunes installed on your computer, you can subscribe to these podcasts and then listen to them from your computer. Furthermore, if you have a iPod you can then sync iTunes and the iPod and listen to the podcast on your hand held iPod.

Returning to the topic of podcasts as a Learn-Guitar aid: One problem that you might face when it comes to using these free Podcast is, you basically get what you pay for. Keep in mind that this isn’t always the case but also, that they are free… However, as the five on the top twenty are tributes to, there are good ones out there. You may just need to try a few to find one that fits you. I’d suggest that you start with the podcasts on the top twenty list.

I’ve listened to a few but don’t really have any to recommend at this time. Of course, if I ever find one I’d shurely pass it on. (Oh, and I’ve not checked out the aforementioned podcasts yet.)

A while back, I posted that I wanted a “Epiphone Les Paul Ultra-II Electric Guitar.” You can find that post here: http://www.understandingguitar.org/2008/05/01/i-want-one/

I wanted to share that I’ve stumbled upon some more information about the guitar. It appears that Harmony Central (I tend to follow their news) also has a section of their site dedicated to product reviews…

They have a ton of reviews of everything from guitar, to amps, to who knows what. Obviously, the first thing I wanted to check reviews for was the Les Paul Ultra-II. I found it rather easily within their pages.

The reviews are all positive, but there are only two reviews. I was hoping for a lot more. Still, the two reviews are both positive. Both reviews are not “Perfect 10s” indicating that the authors put some though in to the reviews, but both reviews average about 8.5 (out of 10).

You can find the reviews here: http://reviews.harmony-central.com/reviews/Guitar/product/Epiphone/Les+Paul+Ultra-II/10/1

I’ve been traveling for work as we are migrating projects to different offices. I don’t travel often, so it was interesting to me.

I was on the road on Friday, and then again Monday to Tuesday. All that time I’ve been away from the guitar. In a way, I felt that I needed a bit of a break from guitar. I had pushed myself and followed through on the exercises but some days I probably did more then I should have.

Over the weekend, during the time that I did have here at home I went to the Gym to get a little stress relieving weight-lifting in. I was flipping through a weight-training magazine between weight sets and either an article or advertisement reminded me that you should put a day between the days that you weight lift.  I’ve been doing weights training since high school, so this is not new information to me.

Perhaps we should look at this information in regards to learning guitar. The work that you do with you fretting hand is, in a way, similar to cardiovascular exercises. However, there are exceptions to this. Certain chords you learn, in particular barred chords, can be more like an intense weight lifting regimen. Keep in mind, that I’ve been “drilling” the Bm and F chords after reading the article in Acoustic Guitar magazine.

I felt that being on the road for those three days have given my hand the break that it needed in order to build up some muscle. I’m really not sure if this has any validity to it (in regards to learning guitar), but the theory seems sound.

I do need to give my hand a day or two to re-develop some of the dexterity that I had built up but hopefully barred chords will continue to get easier; they have been getting easier for the past couple of weeks.

A few days ago, I made some recordings with the intention of posting them here. I came up with a quick chord progression while practicing Bm.

Actually, I didn’t really come up with the progression. The progression is Bm, A, G, Em which are the chords for Comfortably Numb by Pink Floyd as written here. It is the strumming that I “created” which I liked quite a bit. So I grabbed my Zoom H2 and recorded it.

I can’t play it perfectly. The reason I came up with it was because I’ve been trying to practice the Bm chord. I can play it, I just need to be able to switch to it faster.

Here are the recordings.

Note: if you read this site from an RSS Reader (such as Google Reader) you many not be able to see the MP3 players above. Please click here to listen to the three recordings.

You can hear the “dead” chords that I’m playing after some of the chord changes. That is when I’m trying to go back to Bm. It doesn’t work always, but I did get a few in there. Just getting a few of those changes was a major accomplishment for me. The recordings aren’t perfect, but I’m still working on it. I will try to post more when I feel the chord transisitions are better.

Are you familiar with the Song “Handlebars” by the flobots? If you aren’t, I’ve posted it below:

The reason I’m mentioning this song is because, first, I love it. I don’t know why, but I’m addicted to it. I love the trumpet solo that is in the song.

A local radio station, Q101.1, here in Chicago created a parody of the song called C Section Scars. While whether the song is tasteful can be debated I think it is funny and worth sharing… Listen to it below:

If you’d like to download it, you can get it from: http://www.q101.com/airstaff/shermanandtingle.aspx

If you don’t always follow the comments on this site, I wanted to summarize what I learned about MusicianUniversity.com.

On April 19th, I posted a request for information on MusicianUniversity.com which offers music courses for musicians. I was interested in taking thier songwriting course.

“tsubibo” left a comment on my this site. He pointed me to a link which provided third-party insight in to the company. Of course, this information is one sided however it also showed the level of customer service…

http://answers.yahoo.com/question/index?qid=20080415072326AADYEej

This isn’t to say that they are a bad company or the courses are bad (because it is only one posting from one previous customer), but I’d rather not take the risk of losing my money and not getting anything out of it.

tsubibo also mentioned that several people were asking for information about other peoples’ experience (like my post) however, they never found a solid description of someone experience.

The question above plus the fact that nobody mentioned any experience leads me to believe that I should probably shy away from them for now.

However, if you have had or eventually have an interaction with MusicanUniversity.com, please share your story. Leave a comment on either this post or the other post.

MusicMoose.org is an interesting yet potentially helpful learn-to-play resource. I call it a learn-to-play resource because they cover a lot of instruments, including guitar, saxophone, and banjo (among many others).

I’ve not spent a significant amount of time bouncing around their site, let alone trying some of their material. However, for the few minutes that I spent looking at the site, I felt it was worth a mention.

For guitarist they have several lessons all further classified. See categories just above the search results for the different classifications.

IG’s latest post was about a study where a scientist found that if one practices something for 2 hours a day for 10 years (including weekends) then you’ll be very good at it.

If we apply this to guitar and if you start today, you should be a guitar superstar by 5/7/2018.

Of course (and I’m sorry) that just isn’t going to happen. A lot more goes in to becoming a superstar than just being a good guitarist. I feel that charisma plus the style of music you enjoy playing as well as many other things factor in to super stardom. However, I would not expect that to deter you from trying. If you don’t try, you will only regret it.

However, I’ve wondered off the point of this post. The question I have to the readers / contributors out there is what is your practice routine?

In my pursuit of learning guitar, I’ve come across many recommendations for practice routines.

Some of the recommendations that I’ve heard include things like “always practice for a set amount of time” and / or “at a specific time in the day”. The goal is to make the practice a routine in your day. And while I have tried to apply the idea, the reality of where my time can go is never cohesive to such a practice schedule… As a kid, that might be possible; however as an adult I do not believe it is.

For me my first goal is to make sure that I at least get some practice in each day. Even as little as 10 minutes before going to bed. (Such as yesterday, in which I spent most of my time trying to fix my wife’s New Dell laptop.)

Aside from the 10 minutes, if I have more time I include chord drills — Currently Bm with rhythm and strumming drills. I’ve not found the time to practice an actual song for a while. I need to find time to work on that.

So again, what is your practice routine? What do you spend time on and do you have any suggestions for the guitar-learning-public out there from your trials and tribulations?

I recently decided to subscribe to Acoustic Guitar magazine. And yesterday, I received my very first issue.

I was incredibility pleased with the issue as they had a wonderful article titled: “Tackling Difficult Chords.” I quickly read the article and I felt that it had some very wonderful tips on how to learn to imprint difficult barre chords in to your memory and fretting hand.

The article uses the F chord and the Bm chord as their example chords. Which is perfect because I’ve been working on the Bm chord. (I recently blogged about it.)

After I read the article I immediately began to apply what it had suggested. I worked with the F chord, the Bm chord and for good measure I threw in the (open) C chord. I’ve been having difficultly with that chord because it is awkward to my hand.

I drilled, and drilled the chords and have done the same thing since I read the article. That was about two days ago. It is probably too early to tell, but I do believe that it has improved my ability to play all three chords. As well as I want? Not quite yet, but it is a work in progress and I’m getting closer.

It is possible that the article just gave me the fuel to drill the chords again… I’m not sure. To any account, I loved the article and it would be worth a read to any one who is still working on memorizing barred chords.

What does the article suggest? I don’t want to give away too much (because I don’t want to plagiarize), but for those who might be interested…

The article starts out by telling you to fret the problem chord.  Play the chord arpeggiated - that is one string at a time. Play the chord twice (I suggest using alternate picking) once going down; from low E to high E then going up, from high E to the low E string.

Once you get to the low E string, release the strings but don’t remove your hand from the current position. Reapply pressure with your fretting hand with the same chord shape and do the arpeggiation again. Repeat until your hand can’t take it (actually, just repeat it a lot). You should pay special attention to whether the strings are ringing clearly or not. Don’t proceed until the strings all ring clearly - consistently.

The article then suggests you strum the chord, doing the same fretting hand pressure release as before. Repeat this a lot.

The article then suggests that you do a two-chord chord progression. One chord is the one you are learning, the other chord being a chord that you are very comfortable with. Repeat that progression. (yes, a lot.)

You may not get to this last step on your first or second day. I think that is fine. Take your time and be patient.

Buy the magazine and read the article. It has a lot more important information than what I’ve just given you.

You may also be able to read the article here: http://www.acousticguitar.com/article/default.aspx?articleid=22034

Let it be known that I want one: Epiphone Les Paul Ultra-II

Though, seariously since I’m posting this does anyone have any thoughts on this guitar? I want a better electric but something a bit more then basic. This has some features such as the ability to sound like acoustic that I desire. And its price isn’t too bad, though it is a bit more then I wanted to spend…

I primarily play an acoustic. I have a starter Electric Guitar but am looking to get a better, higher quality Electric Guitar.

Does anyone have any suggestions as an alternative to this guitar? Perhaps similar features but a little less money?

Update: I’ve posted another blog entry about the same type of electric guitar. You can find that at: http://www.understandingguitar.org/2008/05/16/epiphone-les-paul-ultra-ii-electric-guitar/